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Archive for February 6, 2011

“Fashion Fairy Tale”~Lauren Milligan

Lacroix Sleeping Beauty

Lacroix Sleeping Beauty, cover

Lacroix Sleeping Beauty

Lacroix Sleeping Beauty

Lacroix Sleeping Beauty

Lacroix Sleeping Beauty

Lacroix Sleeping Beauty

L auren  Milligan                                                                                       04 February 2011

CHRISTIAN LACROIX’S biography was never going to be captured in a simple, step-by-step story, so author Camilla Morton has woven it in to a fairy tale: Christian Lacroix and the Tale of Sleeping Beauty, illustrated by Lacroix himself.

“The book is a tale of two icons,” Morton told us. “Both well loved, both inspiring, and both living in magical kingdoms. I came up with the idea as I didn’t think a dry biography seemed an interesting prospect, nor could it hope to capture the mystique that surrounds the creative souls that punctuate the industry with their imagination. I thought the best way to tell their tales would be as a very special ‘Once Upon a Time’.”

Lacroix’s is the first in a series of designer biographies-cum-fairy- tales, written by Morton and illustrated by the designer – with Manolo Blahnik and Diane von Furstenberg to follow. “Its magical,” Morton said of her relationship with Lacroix. “He is a gentleman, and such a kind, inspiring friend, I feel honoured I was able to do this with him.”

Read more about the book in the March issue of Vogue, out now.

Quote of the Day: 6 Feb. ’11~Quentin Bell

“Our clothes are too much a part of us for most of us ever to be entirely indifferent to their condition:  it is as though the fabric were indeed a natural extension of the body, or even of the soul.”~Quentin Bell

Bell was an English art historian and author. Bell was the son of Clive Bell and Vanessa Bell, and the nephew of Virginia Woolf.

L’Histore de Mode~Codpiece


Metal Codpieces, 16th Century



A codpiece (from Middle English: cod, meaning “scrotum”) is a

covering flap or pouch that attaches to the front of the crotch of

men’s trousers and usually accentuates the genital area. It was held

closed by string ties, buttons, or other methods. It was an important item

of European clothing in the 15th and 16th centuries, and is still worn in the

modern era in performance costumes for rock music and metal musicians and

in the leather subculture.

From the ancient world there are extant depictions of the codpiece; for example,

archaeological recovery at Minoan Knossos on Crete has yielded figurines, some of which

are clad in codpieces. Most of what is objectively known about the cut, fit, and materials

of Renaissance clothing is learned from realistic portraits, clothing inventories, descriptive

receipts for payments of artifacts, or tailors’ cutting guides.In the 14th century, men’s

hose were two separate legs worn over linen drawers, leaving a man’s genitals covered only by a

layer of linen. As the century wore on and men’s hemlines rose, the hose became longer and

joined at the centre back but remained open at the centre front. The shortening of the cote

or doublet resulted in under-disguised genitals, so the codpiece began life as a

triangular piece of fabric covering the gap.

As time passed, codpieces became shaped and padded to

emphasize rather than to conceal, reaching their peak of size

and decoration in the 1540s before falling out of use by the 1590s.

Armor of the 16th century followed civilian fashion, and for a time

armored codpieces were a prominent addition to the best full harnesses.

A few of these are on display in museums today: the Metropolitan Museum

of Art in New York City has one, as does the Higgins Armory in Worcester,

Massachusetts; the armour of Henry VIII in the Tower of London has a

codpiece. In later periods, the codpiece became an object of the derision

showered on outlandish fashions. Renaissance humorist François

Rabelais jokingly refers to a book titled On the Dignity of Codpieces

in the foreword to his book The Histories of Gargantua and Pantagruel.

Through the same linguistic route, cods became

a modern slang term for the male genitalia.

Codpieces are worn in leather subcultural attire to cover and confine the

genitals of a man, sometimes while wearing leather chaps. The codpiece crossed over

from the leather subculture to become an established part of heavy metal fashion

performance costume when Rob Halford, of the band Judas Priest, began wearing clothing

adopted from the gay biker and leather subculture while promoting the Hell Bent for

Leather Album in 1978. Ian Anderson, front man for Jethro Tull, wore a codpiece during his

performances in the mid-1970s.

Gene Simmons of the American Rock Band Kiss often wore black and silver

costumes with codpieces. Shock rock performer Blackie Lawless, leader of the

group WASP, wore a codpiece that features a saw blade. Heavy metal singer King

Diamond has been known to wear a codpiece as part of his performance outfits.Electric

Six lead singer Dick Valentine can be seen wearing a brightly flashing codpiece in the

music video for the band’s 2003 hit single Danger! High Voltage. Metal singer Till

Lindemann of Rammstein occasionally wears codpieces on stage.

Black metal musician and Satanist Infernus

wore a codpiece as part of his attire during the Ad Majorem Sathanas Gloriam

era of Gorgoroth. William Murderface also wears a codpiece on

several occasions. Alice Cooper regularly wears bright red codpieces in concert.

GWAR front man Oderus Urungus wears a codpiece

called The Cuttlefish of Cthulu.



Leather Codpiece

Batman in a codpiece

Vintage custom Codpiece

Armor codpiece


Oderus Urungus of metal band GWAR wearing a codpiece in a 2004 concert

Museum Exhibit on Codpieces

Quote of the Day: 5 Feb. ’11~Mignon McLaughlin

“Women usually love what they buy, yet hate two-thirds of what is in their closets.”~Mignon McLaughlin

McLaughlin was an American journalist and author.


This was supposed to be yesterday’s post sorry, I was busy sewing new stuff!